Protools 10 playlist export pro#
If you are delivering a Pro Tools session rather than just separate audio files, consider unticking the Render Volume, Mute and Pan automation options so they remain intact in the session you will deliver. To commit an entire session, select all the tracks, hold down Shift+Alt, right–click on any of the selected tracks and select Commit.
Protools 10 playlist export series#
At the same time, committing your tracks means your mix secrets and plug-in settings don’t get passed on!įollowing the instructions described, your archived track will have a series of playlists that successively ‘print’ the output of each plug-in in turn. Since the committed tracks contain nothing but audio files, they can be accessed regardless of the availability of particular plug-in processors or instruments. FlatlinersĬommitting tracks is an excellent way to provide ‘flattened’ versions of all the tracks in your session for archiving or delivery to a record label. Once Pro Tools has finished processing, you will see that the audio has been consolidated and only the plug-ins you chose to commit have been removed from the insert slots on the committed track. Again, set up the Commit Tracks window to suit your needs and click OK. To do this, click on the last plug-in you want included in the committed version again, this can be done in either the Edit or Mix window. This gives you the option to commit a track with only the first part of a plug-in chain - useful if, for instance, there are some effects you’re uncertain about. You can also commit ‘up to’ a plug-in inserted on a track. Pro Tools 12’s Bounce feature means I can export all of my stems (the highlighted aux tracks in the Mix window) in one go. Clicking the OK button will create the committed track note that the committed audio clip is longer than the original, so as to accommodate the tail of the reverb. The options I’ve chosen mean that the committed track will be inserted in the session after the source track, which will be made inactive and hidden. In the example shown in the screenshots I am not going to render the volume, mute or pan automation, but I will copy the sends and group assignments so that the committed track will inherit the same auxiliary effects and group memberships as the source track. Right–click on the track title in either the Mix or Edit window, select the Commit option and the Commit Tracks dialogue window will pop up. Let’s start with the process of committing a single audio track. This month we will look at how these features can be brought to bear on audio tracks, and how they can be used to create stems, future-proofed archives and other ‘deliverables’.īefore (above) and after (below): applying these settings in the Commit Tracks dialogue results in a copy of the original track being created, with the audio consolidated, and with all the insert processing printed - but sends, automation and group memberships are inherited intact. Last month we explored some uses for the new Commit Tracks feature introduced by Avid into Pro Tools 12.3. Good hands-on stuff which can really help you get inspired through quick experimentation and using your ears rather than your eyes.The new Commit Tracks option in Pro Tools 12.3 makes archiving your projects easier than ever. If you have several alternative takes you can switch between them without interrupting playback using this shortcut. If you are currently in Waveform view then holding CMD+Ctrl and pressing left arrow once will take you straight to playlists view where you can dive deep into comping. You can use these modifiers to cycle around all the alternative track views using the left or right arrows, just click on the disclosure triangle next to “Waveform” in the track header to see the available views. Super-useful when tracking, A new, blank, numbered playlist in less time than it takes the guitarist to say “can I try my solo one more time?”… Display Playlist View (from Waveform View) To get the most out of Playlists there are a few shortcuts it’s useful to have under your fingers.
The ability to collect alternative takes in the same track and comp a perfect take from the results is one of the reasons why virtually everyone who cut their teeth on tape wouldn’t go back.
The Playlist features in Pro Tools are indispensable when tracking.
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